By Athanassios Vergados
Very good variation. due to unique uploader. book retails at $182. hardcover retails at $182. whatever has to provide in educational publishing!
Aims and Scope
The Hymn to Hermes, whereas definitely the main fun of the so-called Homeric Hymns, additionally provides an array of hard difficulties. in exactly 580 traces, the baby god invents the lyre and sings a hymn to himself, travels from Cyllene to Pieria to scouse borrow Apollo’s livestock, organizes a ceremonial dinner on the river Alpheios the place he serves the beef of 2 of the stolen animals, cunningly defends his innocence, and is eventually reconciled to Apollo, to whom he offers the lyre in alternate for the livestock. This publication presents the 1st designated statement dedicated in particular to this strange poem considering Radermacher’s 1931 variation. The statement can pay specified consciousness to linguistic, philological, and interpretive concerns. it's preceded via an in depth creation that addresses the Hymn’s principles on poetry and track, the poem’s humour, the Hymn’s relation to different archaic hexameter literature either in thematic and technical features, the poem’s reception in later literature, its constitution, the problem of its date and position of composition, and the query of its transmission. The serious textual content, in response to F. Càssola’s version, is provided with an equipment of formulaic parallels in archaic hexameter poetry in addition to attainable verbal echoes in later literature.
Athanassios Vergados, Ruprecht-Karls-Universität Heidelberg, Germany, andNational and Kapodistrian college of Athens, Greece.
xiv, 718 pages
Language: English, historical Greek
Type of ebook: Commentary
Keywords: Homeric Hymns; Hermes; Poetry; Greek; faith
Read Online or Download A Commentary on the Homeric Hymn to Hermes: Introduction, Text and Commentary (Texte und Kommentare, Band 41) PDF
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Additional info for A Commentary on the Homeric Hymn to Hermes: Introduction, Text and Commentary (Texte und Kommentare, Band 41)
Yet this remark in Sophocles reminds us of alternative types mentioned less than, during which Hermes truly names the device. 86 creation yet there are wordplays that recommend the poet’s willing curiosity in developing the that means of names and cult-epithets: cf. 28 « within the region of types of ; seventy three « following sixty five ; 138 after Hermes has prepared a λ« ; 392 π ; 409–12 Hermes transforms the Ν (= ) into plants, very likely a mirrored image of his cult-title «; 492 « … , probably hinting on the culttitle «; 539 following 529–30 | . the data of a term’s which means (or the lack of knowledge of it) is a part of Hermes argument: at 277 and 311 he claims to not comprehend what cows are. Hermes’ start encouraged additionally the comedian playwright Philiscus in his E λ #Aφ « , of which regrettably no longer a unmarried fragment survives (cf. CPG VII p. 356, try out. 1). for this reason we won't inform even if and to what volume he was once inspired via h. Herm. five. 1. four Aratus, Phaenomena 268–69: E λ « « # α κ , #Ν # ρ λ ) . The lyre too is small; Hermes carved it while he was once nonetheless mendacity in his cradle, and he stated it may be referred to as ‘Lyre’. regardless of the brevity of this reference, a few allusions to h. Herm. can be pointed out. ) in 268 is unquestionably intended to remember the references to Hermes’ cradle within the Hymn. therefore for Aratus, too, the discovery of the lyre is an accomplishment of Hermes’ youth. in 269 is comparable to h. Herm. 41–42 φ ) | # ) «. there's a few war of words as to the that means and element of in Aratus. Mair and J. Martin understood it as concerning the holes that Hermes drilled (presumably at the ) to connect the strings. Kidd advert loc. , nevertheless, thought of it a memory of h. Herm. forty two, and disputed LSJ’s glossing of as in our passage simply because “there is not any recommendation that Hermes’ paintings contains any carving. ” ‘Pierced,’ despite the fact that, is simply too elliptical to summarize Hermes’ paintings at the tortoise shell. on condition that the inner of the carapace has 4 protuberances close to the spinal zone, which needed to be got rid of sooner than the other paintings might be performed at the shell, ‘carving’ yields passable feel during this Relation to different Literature 87 context. 18 ‘Carving’ could refer either to the removing of those protuberances in addition to the scooping out of the animal’s flesh, either through a chisel. Aratus’ may possibly in flip support us interpret at h. Herm. forty two: the Hellenistic poet could have understood as ‘removed by means of carving’ vel sim. there's despite the fact that an enormous distinction among the Aratus passage and h. Herm. Aratus states that Hermes assigned the identify Lyra to his production (which later turned a constellation). not just does h. Herm. now not trace on the lyre’s placement one of the stars, yet Hermes doesn't even assign a reputation to this tool. the reason of the lyre’s identify is located in different models in addition (see less than, p. 106–107); in h. Herm. but the instrument’s nomenclature appears freer (cf. sixty four n. ). eventually, there's one other piece of facts which implies that Aratus really alludes to the Hymn and never to a few different model of the tale: in 263, while bearing on the Pleiades, he makes use of the clausula « apM , which recurs in basic terms in h.